叶玉聊王秋生电影
类型:剧情 / 地区:英国 / 年份:2019
主演:西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演:马克·詹金
更新:2026-03-29
简介:
康沃(wò )尔
康沃(wò )尔(🔨)渔村(cūn )(⛲)的风景明(míng )(📼)信片田园(yuán )诗(🔼)误导(dǎo )了人(rén )(😘)们。虽(suī )然过(guò )(🕰)去钓鱼是一种养(yǎng )家(🆖)糊口的(de )方式,但如(rú )今富有(yǒu )(💤)的伦敦(📿)游客(👋)纷(fēn )纷下山,取(🏇)代了(le )当地人,当地(dì )人的生(🎩)计因此受到威胁。史(💆)蒂(✳)文和马(🛹)丁(dīng )兄弟(dì )的(🐖)关系也很(hěn )紧(jǐn )张。马丁是一个(gè )没有船(chuán )的渔夫,因为史(shǐ )蒂(dì )文开(⏺)始用它来为一(yī )整天的(📯)游客提供更赚钱的(💱)旅游。他们卖掉(🥔)了这座家庭别墅(🐑),现在看来(🌞),最后一场(🙉)战斗是和新主(zhǔ )人(rén )在(🥫)海(🤷)边的停车位(wèi )上(shàng )展开。然而,情况很快(🕐)就失控(🚴)了,而不仅仅是因(🤘)为车轮夹钳。Bait是(shì )(💍)一种黑(🦇)白,手(shǒu )工制作,16毫米(mǐ )(🤷)胶片制作的电影。许多关于鱼、网(wǎng )、龙虾(xiā )、长靴、绳(shéng )结和渔篮的特写镜头让人想起了(🏃)蒙(méng )太奇景(📐)点(🔎)的理论(lùn )。对不同(tóng )(🖍)社会阶层的描(📞)述——可以说是阶级(😳)关系——也(🍺)让人(🐂)想起(🛃)了英国电影(yǐng )中的社会(huì )现(💑)实(shí )主义传统。然而(ér ),最重要的是(shì ),在(zài )影像中不同(tóng )(💕)层(🈂)次(cì )的电影历(💛)史(👼)参考(🐅)文献(🏡)之(zhī )下,当(dāng )前许多(duō )政治关联(📯)正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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